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A common sense of the past confers a sense of stability upon an otherwise ever-changing present. That sense of continuity provides the foundation of common social identity (Lowenthal 1975). Social historian John R. Gillis explains that “the core meaning of any individual or group identity Jered Weaver Jersey , namely, a sense of sameness over time and space, is sustained by remembering; and what is remembered is defined by the assumed identity” (Gillis 1994, p. 3). Key here is the notion of an “assumed identity” – one that while seemingly constant is subject to change just as collective memory changes.


Anthropologist Richard Handler (1994) warns against the reification of identity noting that identities are relative in both time and space – both historically and geographically constructed. The link between past and present is therefore a flexible one. Our interpretation of the past is in part a consequence of our present identity. Because identity is relative rooted in continually evolving social and cultural conditions, memories are recalled and reinterpreted as those conditions change. According to Foote (2003) Yangervis Solarte Jersey , culture itself is a form of collective memory. Shared interpretations of past events automatically confer an importance to the temporal perspective; however, just as important is the recognition that memory, like culture, is also spatial, rooted in place (Cosgrove 1984; Nora 1989; Bruner 1994; Lowenthal 1997). The cultural landscape then is inscribed with ways of seeing the past – an interwoven network of individual sites of memory and commemoration that reflect power relations in society that take on a communal meaning and provide a way for the everyday present to interact with the past (Lowenthal 1997). Pierre Nora (1989) traces the development of conscious efforts to preserve memories to the development of modern society.


We no longer live the traditions of the past Erick Aybar Jersey , so we must consciously preserve them. In the past, conservation of institutionalized memory in the form of archives and genealogies was only for the elite in society. Today, intentional sites of memory are created at a variety of social and spatial scales. Sites of memory today provide us with evidence of our rise from humble beginnings to “success, stability, and progress” within an ever-changing world (Lowenthal 1994 Johnny Manziel Jersey , p. 44; see also Bodnar 1986; Schwartz et al. 1986). They provide us with the impression of continuity of identity by linking our present circumstances to the past. The contemporary material world then provides us with tangible objects and impressions of the past that we not only inherit, preserve and pass on, but also may selectively reclaim, ignore, or forget.
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Family Tales Translate into Children?s Classic Family Articles | April 28, 2005

Some of my most precious childhood memories come from hours spent listening to my daddy tell us stories as we drove across the country in our motorhome on various family road trips. In these days before mobile DVD players and satellite radio, Daddy could spin a tale that would keep us swept up for hours and begging for more. While I don?t have my father?s storytelling creativity, I love to share wonderful books with my own children.



One of my new favorites is The Ballad of Blue Eagle (Synergy Books, October 2004 Rickey Henderson Jersey , hardcover, 48 pages). This first in a planned series is a father-son team project created by Steven E. Jones and his son, illustrator Steven E. Jones, Jr. A lifelong Texan, Jones grew up listening to his father tell tales of Blue Eagle and his life safeguarding the various creatures of Peaceful Valley. After his father?s death Ozzie Smith Jersey , Steven wisely wrote these stories down for posterity. The Ballad of Blue Eagle is a beautiful collaboration between Jones and his son Steven Jr., who has artfully illustrated this classic children?s hardcover. Steven Jones Jr. brings the characters of Peaceful Valley to life with his bold and sweeping watercolor scenes. The themes present in The Ballad of Blue Eagle emphasize virtues you will want to share with your own children: peaceful coexistence, community, friendship and not judging others.


I had the opportunity to speak with the author and illustrator and am pleased to share their comments on the book and the importance of sharing stories in our families.


Q: Thank you for your time and for participating in this Book Spotlight interview. Please tell our readers how you decided to take on the project of writing The Ballad of Blue Eagle from your collection of family stories.


A: This is an interesting question, you see Cory Spangenberg Jersey , I actually wrote this story as a tribute to my father shortly after he died. That was in 1980, when my son was only 8 years old. I wanted to have it for our family as a piece of memorabilia that we could share, there was no serious thought of it being published, - we needed an illustrator. Finally, my son grew up to be an artistgraphic designer Wil Myers Jersey , and wanted to illustrate the story. This is when the publishing decision was made.


Q: What was it like to work collaboratively as a team on this project?


A: It was a lot of fun. There was some frustration involved for both of us because it was new territory, and both of us could only work on it part time. The main thing I experienced though, was gaining a new respect for my son. I knew he was talented, but I didn't realize just how capable he really is.


Q: Steve, how did it feel to see the characters of your stories come to life through the artwork created by Steven?


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